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Arnold Dreyblatt

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Title: Arnold Dreyblatt  
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Subject: Mark Stewart (guitarist), Chicago Underground Duo, Table of the Elements, Tzadik Records, Foot Village
Collection: 1953 Births, 20Th-Century American Musicians, 20Th-Century Classical Composers, American Classical Composers, American Contemporary Artists, American Expatriates in Germany, American Experimental Musicians, American Installation Artists, American Male Classical Composers, Drag City (Record Label) Artists, India Navigation Artists, Living People, Members of the Academy of the Arts, Berlin, Northern Spy Records Artists, People from Berlin, Pupils of Alvin Lucier, Pupils of La Monte Young, Tzadik Records Artists, Wesleyan University Alumni
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Arnold Dreyblatt

Arnold Dreyblatt (b. New York City, 1953) is an American composer and visual artist. He studied music with Pauline Oliveros, La Monte Young, Alvin Lucier (at Wesleyan University) and media art with Steina and Woody Vasulka. In 1982 Dreyblatt obtained his Master's degree in composition from Wesleyan University.[1]

He has been based in Berlin, Germany since 1984. In 2007, he was elected to the German Academy of Art (Akademie der Künste, Berlin).[2]

In his installations, performances and media works, Dreyblatt creates complex textual and spatial metaphors for memory which function as a media discourse on recollection and the archive. His installations, public artworks and performances have been exhibited and staged extensively in Europe. "Dreyblatt's project, maintains its edge--and its importance for the rethinking of identity, history, culture, and memory--by refusing to retreat from or transcend [...] public, archival traces." - Jeffrey Wallen, Hampshire College.

Among the second generation of New York minimal composers, Arnold Dreyblatt has developed a unique approach to composition and music performance. He has invented a set of new and original instruments, performance techniques, and a system of tuning. His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, and other modified and conventional instruments which he specially tuned. He originally used a steady pulse provided by the bowing motion on his bass (placing his music in the minimal category), but he eventually added many more instruments and more rhythmic variety.

Dreyblatt received a 1998 Foundation for Contemporary Arts Grants to Artists Award.

Dreyblatt's mother, Lucille Wallenrod (1918–1998), was a painter.

Contents

  • Collaboration 1
  • Discography 2
  • References 3
  • External links 4

Collaboration

In recent years, Dreyblatt has collaborated on material with the psych-folk band Megafaun. They've recorded a forthcoming album in 2012 and performed at the third annual Hopscotch Music Festival in Raleigh, North Carolina in September 2012.[3] They also performed at the Ecstatic Music Festival in New York City in February 2013.[4]

Discography

  • Appalachian Excitation, Northern Spy Records, CD, 2013, with Megafaun
  • Resonant Relations, Cantaloupe Music, CD, 2008
  • Live at Federal Hall, Table of the Elements, CD, 2006
  • Lapse, Table of the Elements, LP, 2004
  • The Adding Machine, Cantaloupe Music, CD, 2002
  • Escalator on “Renegade Heaven, Bang on a Can All-Stars, Cantaloupe Music, CD, 2000
  • The Sound of One String – Previously Unreleased Live Recordings 1979-1992, Table of the Elements, CD, 1998
  • Animal Magnetism, Tzadik Records, CD
  • a haymisch groove, Extraplatte, Vienna, CD, 1994
  • Propellers in Love, and “High Life”, HatART, CD, 1986
  • Nodal Excitation, India Navigation Records, LP, 1982

References

  1. ^ M.A. Theses in Ethnomusicology and Composition, Wesleyan University. Department of Music. Dreyblatt, Arnold, 1982. Retrieved January 30, 2013.
  2. ^ Allmusic biography
  3. ^ Hopscotch Music Festival Lineup
  4. ^ Arnold Dreyblatt and Megafaun at Ecstatic Music Festival

External links

  • Arnold Dreyblatt Website
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