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Biltmore Estate

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Title: Biltmore Estate  
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Subject: Asheville, North Carolina, Frederick Law Olmsted, Manor house, Vanderbilt houses, Frederick Law Olmsted, Jr.
Collection: 1895 Establishments in North Carolina, Blue Ridge National Heritage Area, Blue Ridge Parkway, Castles in the United States, Châteauesque Architecture in the United States, Frederick Law Olmsted Works, Historic House Museums in North Carolina, Houses Completed in 1895, Houses in Asheville, North Carolina, Houses on the National Register of Historic Places in North Carolina, Landscape Design History of the United States, Museums in Asheville, North Carolina, National Historic Landmarks in North Carolina, National Register of Historic Places in Buncombe County, North Carolina, Open-Air Museums in North Carolina, Palaces in the United States, Reportedly Haunted Locations in Asheville, North Carolina, Richard Morris Hunt Buildings, Vanderbilt Family Residences, Visitor Attractions in Asheville, North Carolina
Publisher: World Heritage Encyclopedia

Biltmore Estate

Biltmore House
Biltmore House
Location Asheville, North Carolina, United States
Built 1889–95
Architect Richard Morris Hunt; Frederick Law Olmsted
Architectural style Châteauesque
Governing body Private
NRHP Reference # 66000586[1]
Added to NRHP October 15, 1966 (1966-10-15)

Biltmore Estate is a large private estate and tourist attraction in largest privately owned house in the United States, at 178,926 square feet (16,622.8 m2)[2] of floor space (135,280 square feet (12,568 m2) of living area). Still owned by one of Vanderbilt's descendants, it stands today as one of the most prominent remaining examples of the Gilded Age. In 2007, it was ranked eighth in America's Favorite Architecture by the American Institute of Architects.


  • Architecture 1
  • Interiors 2
    • First floor 2.1
    • Second floor 2.2
    • Third and fourth floors 2.3
    • Bachelors' wing 2.4
    • Basement 2.5
  • Park and landscape 3
  • Estate 4
  • History 5
  • In popular culture 6
  • In other media 7
  • See also 8
  • References 9
  • External links 10


Waddesdon Manor was a principal source for the east elevation

Vanderbilt commissioned prominent New York architect Richard Morris Hunt, who had previously designed houses for various Vanderbilt family members, to design the house in the Châteauesque style, using French Renaissance chateaus that Vanderbilt and Hunt had visited in early 1889, including Château de Blois, Chenonceau and Chambord in France and Waddesdon Manor in England, as inspiration with their steeply pitched roofs, turrets and sculptural ornamentation.[3] Hunt sited the four-story Indiana limestone-built home to face east with a 375-foot facade to fit into the mountainous topography behind. The facade is asymmetrically balanced with two projecting wings connecting to the entrance tower with an open loggia to the left side and a windowed arcade to the right which held the Winter Garden that was fashionable during the Victorian era. The entrance tower contains a series of windows with decorated jambs that extend from the front door to the most decorated dormer at Biltmore on the fourth floor. The carved decorations include trefoils, flowing tracery, rosettes and at prominent lookouts, gargoyles. The large gargoyles are purely for decoration instead of their normal use to direct water away from a building. The staircase is one of the more prominent features of the east facade, with its three-story, highly decorated winding balustrade with carved statues of St. Louis and Joan of Arc by the Austrian-born architectural sculptor Karl Bitter.

The south facade has the smallest dimensions for the house and is dominated by three large dormers on the east side and a polygonal turret on the west side. An arbor is attached to the house and is accessed from the library which is located on the ground floor. On the north end of the house, Hunt placed the attached stables, carriage house and its courtyard to protect the house and gardens from the wind. The 12,000-square-foot complex housed Vanderbilt's prized driving horses and the carriage house opposite the stables stored his 20 carriages in addition to any of his guest's carriages.

The rear western elevation is less elaborate than the front facade, with some windows not having any decoration at all. Two matching polygonal towers in the center are connected to the polygonal south turret by an open loggia that opens the main rooms of the house to the views of the Blue Ridge Mountains in the distance. The loggia is decorated overhead with terracotta tiles set in a herringbone pattern. The self-supporting ceramic tile vault and arch system was used extensively inside and outside of Biltmore, and was patented by Rafael Guastavino, a Spanish architect and engineer, who personally supervised the installation. The limestone columns were carved to reflect the sunlight in aesthetically pleasing and varied ways per Vanderbilt's wish. The rusticated base is a contrast to the smooth limestone used on the remainder of the house.

The steeply pitched roof is punctuated by 16 chimneys and covered with slate tiles that were affixed one by one. Each tile was drilled at the corners and wired onto the attic’s steel infrastructure. Copper flashing was then installed at the junctions to prevent water from penetrating. The fanciful flashing on the ridge of the roof was embossed with George Vanderbilt’s initials and motifs from his family crest, though the original gold leaf no longer survives.[4]

Biltmore House had electricity from the time it was built. With electricity less safe and fire more of a danger at the time, the house had separate sections divided by brick fire walls.[5]

Vanderbilt paid little attention to the family business or his own investments, and it is believed that the construction and upkeep of Biltmore depleted much of his inheritance.


First floor

The Triumphal Arch

Biltmore has four acres of floor space and a total of 252 rooms in the house including 33 bedrooms for family and guests, 43 bathrooms, 65 fireplaces, three kitchens and 19th-century novelties such as electric elevators, forced-air heating, centrally controlled clocks, Albrecht Dürer called the Triumphal Arch commissioned by Holy Roman Emperor Maximilian I, that had been stored in the stable for over 80 years.

To the left of the entrance hall is the 90-foot-long Tapestry Gallery, which leads to the Library, featuring three 16th-century tapestries representing The Triumph of Virtue Over Vice. Elsewhere on the walls are family portraits by Palazzo Pisani Moretta in Venice, Italy. The painting by Giovanni Antonio Pellegrini is the most important work by the artist still in existence.[6]

Second floor

The second floor is accessed by the cantilevered Grand Staircase of 102 steps spiraling around a four-story, wrought-iron chandelier holding 72 light bulbs.[7] The Second Floor Living Hall is an extension of the grand staircase as a formal hall and portrait gallery, and was restored to its original configuration in 2013. Several large-scale masterpieces are displayed in the hall, including two John Singer Sargent portraits of Biltmore's architect, Richard Morris Hunt, and landscaper, Frederick Law Olmsted, both commissioned for the home by Vanderbilt.[8] Located nearby in the south tower is George Vanderbilt's gilded bedroom with furniture designed by Hunt. His bedroom connects to his wife's Louis XV-style, oval-shaped bedroom in the north tower through a Jacobean carved oak paneled sitting room with an intricate plaster ceiling.

Some of the more lavish guest bedrooms can be found on this floor as well, including the Louis XVI Bedroom and the Louis XV Suite. The suite of rooms includes the Damask Room; the Claude Room, named after one of Vanderbilt's favorite artists, Claude Lorrain; the Tyrolean Chimney Room; and the most grand, the Louis XV Room, so named due to its architectural scheme and furnishings that were very popular in the late nineteenth century. The suite was restored and opened to the public for the first time in 100 years in 2011.[9]

Third and fourth floors

The third floor has a number of guest rooms with names that describe the furnishing or artist that they were decorated with. The fourth floor has 21 bedrooms that were inhabited by housemaids, laundresses, and other female servants. Also included on the fourth floor is an Observatory with a circular staircase that leads to a wrought iron balcony with doorways to the rooftop where Vanderbilt could view his estate. Male servants were housed in rooms above the stable complex.[3]

Bachelors' wing

The Billiard Room is decorated with an ornamental plaster ceiling and rich oak paneling and was equipped with both a custom-made pool table and a carom table (table without pockets). The room was mainly frequented by men, but ladies were welcome to enter as well. Secret door panels on either side of the fireplace lead to the private quarters of the Bachelors’ Wing where female guests and staff members were not allowed. The wing includes the Smoking Room, that was fashionable for country houses, and the Gun Room which held mounted trophies and displayed George Vanderbilt’s gun collection.[3]


Guests of the estate could enjoy other activities that were found on the basement level, including an indoor 70,000-gallon (265,000-litre and 265-cubic meter) heated swimming pool with underwater lighting; one of the nation's first bowling alleys installed in a private residence; and a gymnasium with once state-of-the-art fitness equipment. The service hub of the house is also found in the largest basement in the US, as the location for the main kitchen, pastry kitchen, rotisserie kitchen, walk-in refrigerators that provided an early form of mechanical refrigeration, the servants' dining hall, laundry rooms and additional bedrooms for staff.

Park and landscape

View of the south side of the house from the Shrub garden

Wanting the best, Vanderbilt envisioned a park-like setting for his home and employed landscape architect Frederick Law Olmsted to design the grounds. However, Olmsted was not impressed with the condition of the 125,000 acres and advised for a park surrounding the house, establishing farms along the river and replanting the rest as a commercial timber forest, a plan to which Vanderbilt agreed. Gifford Pinchot and later Carl A. Schenck were hired to manage the forests, with Schenck establishing the first forestry education program in the U.S., the Biltmore Forest School, on the estate grounds in 1898.

Another important aspect of the landscaping was the intentionally rustic three-mile (5 km) Approach Road that began at the brick quoined and pebbledash stucco Lodge Gate at the edge of Biltmore Village, and ended at the sphinx-topped stone pillars at the Front Lawn. In between, the lane was densely filled with natural and uncultivated looking foliage and shrubbery to provide a relaxing journey for guests. Olmstead made sure to incorporate 75 acres (30 ha) of formal gardens that had been requested by Vanderbilt for the grounds directly surrounding the house. He constructed an Italian formal garden, a walled garden, a shrub and rose garden, fountains and a conservatory with individual rooms for palms and orchids. There was also a bowling green, outdoor tea room, pools and a tree-lined esplanade to incorporate the European statuary that Vanderbilt had brought back from his travels. At the opposite end of the esplanade is the Rampe Douce, a graduated stairway zigzagging along a rough-cut limestone wall that leads to the grassy slope known as the Vista, that is topped with a statue of Diana, the goddess of the hunt.[3]

Water features were an important aspect of Victorian landscaping and Olmstead incorporated two for the estate: the Bass Pond created from an old creek-fed millpond and the Lagoon. Each was used for guest recreation like fishing and rowing. To supply water for the estate, Olmstead engineered two reservoirs. One was a spring-fed man-made lake on nearby Busbee Mountain. The other was a man-made, brick-lined reservoir, located behind the statue of Diana in the Vista, at an elevation of approximately 266 feet above the Esplanade.[10]


Vanderbilt's idea was to replicate the working estates of Europe. He asked Hunt and Olmstead to design a village with architecturally compatible buildings and picturesque landscaping to house the estate employees and their families. The result was Biltmore Village. The village included rental cottages complete with plumbing and central heating, a post office, shops, doctor's office, school and a church, known today as the Cathedral of All Souls.[11] Intending that the estate could be self-supporting, Vanderbilt set up scientific forestry programs, poultry farms, cattle farms, hog farms and a dairy. His wife, Edith, also enthusiastically supported agricultural reform and promoted the establishment of a state agricultural fair. In 1901, to help provide local employment, the Vanderbilts started Biltmore Industries, which made furniture modeled after the furnishings of the estate.[12]

The estate today covers 8,000 acres and is split in half by the Stevens-Duryea C-Six. Originally delivered in a dark gray or black, rumor holds that Edith Stuyvesant Vanderbilt found the color depressing, and ordered a repaint. Hence the car is dressed in white with black pinstripes (and features her monogram on the rear doors). It is the only vehicle belonging to the Vanderbilts that remains on the estate. The Inn on Biltmore Estate, a AAA four-diamond 210-room hotel opened in 2001, and in 2010, the estate debuted Antler Hill Village, as well as a remodeled winery, and connected farmyard.


In the 1880s, at the height of the William Henry Vanderbilt, began to make regular visits with his mother, Maria Louisa Kissam Vanderbilt (1821–1896), to the Asheville, North Carolina, area. He loved the scenery and climate so much that he decided to create his own summer estate in the area, which he called his "little mountain escape", just as his older brothers and sisters had built opulent summer houses in places such as Newport, Rhode Island, and Hyde Park, New York. Vanderbilt named his estate Biltmore derived from "Bildt", Vanderbilt's ancestors' place of origin in Holland, and "More", Anglo-Saxon for open, rolling land.[13]

The Biltmore Estate (c. 1900)

Construction of the house began in 1889 and continued well into 1896. In order to facilitate such a large project, a woodworking factory and brick kiln, which produced 32,000 bricks a day, were built onsite, and a three-mile railroad spur was constructed to bring materials to the building site. Construction on the main house required the labor of well over 1,000 workers and 60 stonemasons.[14] Vanderbilt went on extensive buying-trips overseas as construction on the house was in progress. He returned to North Carolina with thousands of furnishings for his newly built home including tapestries, hundreds of carpets, prints, linens, and decorative objects, all dating between the 15th century and the late 19th century. Among the few American-made items were the more practical oak drop-front desk, rocking chairs, a walnut grand piano, bronze candlesticks and a wicker wastebasket.[15]

George Vanderbilt opened his opulent estate on Christmas Eve 1895 to invited family and friends from across the country, who were encouraged to enjoy leisure and country pursuits. Notable guests to the estate over the years included author Edith Stuyvesant Dresser in 1898 in Paris, France; their only child, Cornelia Stuyvesant Vanderbilt, was born at Biltmore in the Louis XV room in 1900, and grew up at the estate.

Driven by the impact of the newly imposed income taxes, and the fact that the estate was getting harder to manage economically, Vanderbilt initiated the sale of 87,000 acres (352 km²) to the federal government. After Vanderbilt's unexpected death in 1914 of complications from an emergency appendectomy, his widow completed the sale to carry out her husband's wish that the land remain unaltered, and that property became the nucleus of the Pisgah National Forest.[14] Overwhelmed with running such a large estate, Edith began consolidating her interests and sold Biltmore Estate Industries in 1917 and Biltmore Village in 1921. Edith intermittently occupied the house, living in an apartment carved out of the former Bachelors' Wing, until the marriage of her daughter to John Francis Amherst Cecil in April 1924. The Cecils went on to have two sons who were born in the same room as their mother.

In an attempt to bolster the estate's financial situation during the Rembrandt, Raphael, and Anthony van Dyck. David Finley, the gallery director, was a friend of Edith Vanderbilt and had stayed at the estate.[17]

The Biltmore Estate

With the failure of the marriage of the Cecils, Cornelia left the estate never to return; however, John Cecil maintained his residence in the Bachelors' Wing until his death in 1954. Their eldest son George Henry Vanderbilt Cecil, occupied rooms in the wing until 1956. At this point Biltmore House ceased to be a family residence and has continued to be operated as a historic house museum, with increasing portions of the house opened to viewing.

Biltmore Farms. In 1995, while celebrating the 100th anniversary of the estate, Cecil turned over control of the company to his son, William A.V. Cecil, Jr.

The estate was designated a National Historic Landmark in 1964, and remains a major tourist attraction in Western North Carolina with almost 1 million visitors each year.[18]

In popular culture

The grounds and buildings of Biltmore Estate have appeared in a number of major motion pictures:

In other media

Biltmore Estate was featured as the Pruitt mansion on The Pruitts of Southampton/The Phyllis Diller Show.

The estate also had a minor appearance in season eight of the CW television series One Tree Hill.

The Biltmore House is also featured in "Empires of the Smoky Skies", a scenario in Sid Meier's Civilization V.

Biltmore Estate and its surrounding forest make up the setting of Robert Beatty's 2015 middle-grade novel Serafina and the Black Cloak.

See also


  1. ^ "National Register Information System". National Register of Historic Places.  
  2. ^ Buncombe County Tax Records, Parcel ID 9637-94-4030-00000, Residential Building 22 (mansion) and Commercial Building 9 (attached stable); see also
  3. ^ a b c d e Carley, Rachel. Biltmore: An American Masterpiece, (2012).
  4. ^ Dagmi, Jane. "The Biltmore Estate: A Brief Architectural Tour". Bob Vila. Retrieved December 2, 2014. 
  5. ^ Motsinger, Carol (January 9, 2015). "Downton Abbey is on fire".  
  6. ^ "A Tour Through Biltmore Estate". FunTrivia. Retrieved December 2, 2014. 
  7. ^ Henion, Leigh Ann (December 2009). "Biltmore: Behind the Scenes". National Trust for Historic Preservation. Retrieved December 2, 2014. 
  8. ^ Steele, Bruce (September 6, 2013). "Biltmore House renovation restores historic hallway". USA Today. Retrieved December 2, 2014. 
  9. ^ Poupore, Darren (February 8, 2011). "New Suite of Rooms Now Open". Open House Official Blog of Biltmore. Retrieved December 2, 2014. 
  10. ^ Clark McKendree, Sue. "A Technological Tour of the Biltmore Estate". Retrieved December 15, 2014. 
  11. ^ Cathedral of All Souls: History
  12. ^ Aslet, Clive (2005). The American Country House, p. 14. Yale University Press.
  13. ^ Sullivan, Mary Ann. "Biltmore Estate". Retrieved December 12, 2014. 
  14. ^ a b "Biltmore House". Retrieved December 12, 2014. 
  15. ^ Chase, Nan K. Asheville: A History, (2007): 69-70.
  16. ^ Hansley, Richard (2011). Asheville's Historic Architecture, pp. 151-52. The History Press.
  17. ^ Kiss, Tony (February 16, 2014). "Biltmore Estate hid precious art during World War II".  
  18. ^ Biltmore news release, February 2005. Retrieved 2012-10-30
  • Hewitt, Mark Alan: The Architect & the American Country House. Yale University Press: New Haven & London 1990, p. 1-10

External links

  • Official website
  • Landmark designation
  • Unofficial Biltmore House Floor Plan Project
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