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Cinema of Kenya

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Title: Cinema of Kenya  
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Subject: Public holidays in Kenya, Media of Kenya, Languages of Kenya, Cinema of Odisha, List of cinema of the world
Collection: Cinema of Kenya
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Cinema of Kenya

The cinema of Kenya refers to the film industry of Kenya. Although a very small industry in western comparison, Kenya has produced or been a location for film since the early 1950s when Men Against the Sun was filmed in 1952. Although, in the United States, jungle epics that were set in the country were shot in Hollywood as early as the 1940s.


  • Kenyan cinema 1
    • Government promotion of film making 1.1
  • Films 2
    • Seleced films 2.1
  • Film festivals 3
  • Films shot in Kenya 4
  • References 5
  • External links 6

Kenyan cinema

Rather than featured films with fictional content, Kenya has mostly produced documentary films often relating the conditions of the people and poverty in the main cities of Kenya. Since 2000 feature films on DV technology production have increased in the country. They include Dangerous Affair, Project Daddy, and Money & the Cross by Njeri Karago, Babu's Babies by Christine Bala, Naliaka is Going by Albert Wandago, The Price of a Daughter and Behind Closed Doors by Jane Murago-Munene, The Green Card by Brutus Sirucha, Malooned by Bob Nyanja, All Girls Together by Cajetan Boy, Help by Robert Bresson and From a Whisper by Wanuri Kahiu and Jitu Films movies: Mob Doc, R2 Security, Zeinabu Rudi Nyumbani, Chasing Moses, Selfish, Me, My Wife and Her Guru, Grave Yard and Through Hell and The Hammer by Cezmiq Cast and the banned horror film Otto the Bloodbath.

Feature films before 2000 include 'The Battle of the Sacred Tree (1995) by Wanjiru Kinyanjui which won several awards (OCIC and The Black Filmmakers Hall of Fame award in the US), Saikati and Saikati Enkabaani by Anne Mungai and Kolor Mask by Sao Gamba. Numerous short fictions are also on the increase such as Ras Star by Wanuri Kahiu, Subira by Kenya-based Indian film director Ravneet Sippy Chadha, Life in D Major by Angelo Kinyua, and Extracts of Me by William Owusu.

Other low-budget independent filmmakers using digital technology to shoot their films and sell them locally on DVD and VCD format have spawned the Riverwood Industry. Though it originally takes it name from River-road, the busy street where music tapes and electronics are sold, Riverwood is fast capturing the attention of the mainstream TV stations and pan-African broadcasters. Mburu Kimani's The Race earned an award at the inaugural Kalasha Awards (Kenya's TV and Film Awards) for Best Riverwood Film.[1] Other films in this genre include Simiyu Barasa's Toto Millionaire (2007), and numerous other vernacular films like Kihenjo and Machangi

Films such as 2006's I Want to Be a Pilot relates an emotional tale of a young boy living in poverty in Nairobi who has dreams and aspirations of becoming an airline pilot and being set free from his life of hardship.

In 2007 Vivid features, a big Kenyan Media house, decided to diverse from their traditional services and venture into local feature film production. During this time Vivid managed to produce 24 Kenyan feature films under the name of Jitu Films with different directors such as Alexandros Konstantaras, Evelyn Kahungu and Hawa Essuman. Jitu tried to help to create a dependable market for Kenyan films by helping developing a cinema going and a DVD buying culture for local Kenyan films as well as reaching other audiences outside Africa. To beat piracy Jitu has their original DVDs on sale only for under a dollar in all big Supermarkets and shops . The DVDs are original high standard quality with extra menus with other film trailers etc. In 2010 Jitu Film's “Otto: the Blood Bath” earned its reputation not only by being the first Kenyan Horror movie being banned the last years by the Kenyan Censorship Board as “Too horrific even to an adult” but by winning the first price as the Best East African Film in the last edition of the Rwanda Film Festival.

Film such as 2010's Togetherness Supreme a fictional feature flm by Nathan Collett have received national and international attention[2] for revealing some of issues affecting Kenyan society. Togetherness Supreme tells the story of Kamau, an artist, who uses his talent to promote change in Kibera. Togetherness Supreme tells a story of love, conflict, and ultimately, of reconciliation.[3]

Kibera Kid directed by Kenya-based director Nathan Collett is a short twelve minute film which covers themes of crime and poverty in the slums of Kibera, Nairobi and also morality as the young protagonist must make a choice between living with a gang of thieves or living a life free of crime. The story is fictional but the circumstances and reality depicted are not. The film received seven international awards and received attention at various film festivals worldwide including the Berlin Film Festival and it was accoladed with a Student EMMY in Hollywood. It has been profiled by BBC, Reuters, Al Jazeera English and many others.[4] Other than this directors such as Collett have shot other short films such as The Oath, a 2005 historical short set in the 1950s during the Mau Mau uprising under the British colonialism in Kenya. It portrays the struggle between two brothers on opposite sides of the conflict. Many of the actors used in the film were descents of Mau Mau fighters.

Whilst the number of films shot in the country has increased in recent years, the country lacks the financial resources and investment needed to produce larger scale feature films and employ professional actors. It is far behind other African film producers such as South Africa and Egypt who have been producing feature films since the early twentieth century.

Government promotion of film making

The Kenyan government has made a conscious effort to develop Kenyan cinema as an industry, and in 2005 the government helped establish the

  • Kibera Kid official site
  • News report on Kibera Kid on Youtube
  • Kenya Film Commission
  • Film licensing in Kenya
  • Riverwood Ensemble

External links

  1. ^
  2. ^ [1], PRI The World, 4 August 2010
  3. ^ [2], The Standard (Kenya), 7 August 2010]
  4. ^ Kenya's Kibera kid savours stardom, BBC News, 20 August 2007
  5. ^
  6. ^ ArtMatters.Info
  7. ^ a b c d
  8. ^ a b, Retrieved January 24, 2008
  9. ^ PRI The World Retrieved August 4th 2010
  10. ^


The 2012 film Nairobi Half Life was nominated for the Best Foreign Language Film at the 85th Academy Awards. It was the first time a Kenyan film has been nominated to the category. The film was received with critical acclaim, and has won five awards to date: Best Picture at the Kenyan 2012 Kalasha Film Awards, Best Actor at the Durban International Film Festival, breakthrough Audience award at the AFI Fest[10] and Audience awards at two different film awards; the Film Africa Festival London and the Festival di Cinema Africano.

The 1985 film, Out of Africa starring Meryl Streep and Robert Redford was shot in Kenya and revealed Kenya's colonial history in romantic drama film. It retold the story of Danish author's Karen Blixen’s love affair with Kenya and Hunter Denys Finch Hatton in particular. In 1999, the Canadian produced film was shot in Kenya, To Walk with Lions.

The film Togetherness Supreme was shot in 2009–2010 entirely in collaboration with the youth of Kibera. It is a story based on the events of the 2007 disputed Presidential election in Kenya. It is the story of Kamau, an artist, who thirsts for change. He uses his art to bring about change, but is soon caught up in the events leading to the post election violence of 2007/8.[9]

The film brought the rural Kenyan landscape to the silver screen and innovatively incorporated traditional Maasai song with a symphony orchestra. It was developed in partnership with the Maasai community, and actual tradition and legends were used as a basis for the story and used tribesmen from the Loita Hills area with no former acting experience.[8]

The film Maasai: The Rain Warriors a cinematic epic was shot entirely in Kenya but cast a number of local Maasai warriors who spoke Maa dialogue in the arthouse film. The films relates the story of a group of young Maasai warriors, Lomotoon and Merono sent on a mission to travel through the entirety of Kenya on foot, hunting a mythical lion responsible for bringing about a major drought, and by doing so bringing back the rain.[8]

Shooting feature film Togetherness Supreme in Kibera and with the collaboration with Kibera youth trainees.
Out of Africa (1985)

Films shot in Kenya

Programme Presentation, as the title suggest, empowers children and youth to organise and present events and programmes. Such children are usually in charge of the programme during the six days of the festival. The Film Jury, on the other hand, seeks to inculcate in participants skills with which to critically appreciate and appraise creativity in general and film in particular. The jury members watch and award films in competition. The official Lola Kenya Screen Jury consists only of children and youth. Out of the recognition that unless adults are sensitised into creating for and with children, the aim of putting children and youth on the public agenda could become a cropper, Lola Kenya Screen 2008 also worked with practising filmmakers in the production of documentaries for children and youth.[7] The 7th Lola Kenya Screen is scheduled for 6–11 August 2012.

Through her programmes, Lola Kenya Screen explores, identifies and nurtures creative talent among children and youth in areas such as journalism, film-making, arts appraisal and appreciation, and organisation and presentation of cultural and creative events. This is aimed at equipping children and youth with the skills to understand, appreciate, and create quality audiovisual productions in particular and arts in general. While the Festival Press is aimed at uplifting the standards of creative and cultural journalism in eastern Africa, the Production Workshop empowers children and youth to make at least five quality, low-budget, moving images per year.

The 3rd Lola Kenya Screen ( 11–16 August 2008), attracted participation from Kenya, Uganda, Tanzania, and Zimbabwe, with all participants coming in to watch the wide variety of films from 56 nations and to be equipped with skills for making films, appreciating and judging audiovisual media production, presenting programmes and filing daily reports on the festival. Lola Kenya Screen was conceived as a movement that uses appropriate and available technologies to deliver audiovisual media content that complements, enhances, entertains and promotes learning among children and youth in the promotion of literacy, gender equity, independent thought, human rights, environmental responsibility and global health.

The festival gives aspiring children the opportunity to collaborate with international partners and to also educate them in film production, screenplay writing, cinematography, and in the art department and sound production. Eastern Africa's premier audiovisual media platform for children and youth, Lola Kenya Screen has between August 2006 and August 2011 showcased more than 1950 films from 102 nations representing all the six continents in various genres, formats and lengths. Additionally, Lola Kenya Screen has mentored 154 children and youth in filmmaking, cultural journalism, film judging, MCeeing, television drama production and documentary film production for children and youth.[7]

Kibera Kid film production set on the slums in Kibera, Nairobi in 2006.

The second production, a three-film and three-song compilation titled African Folk Tales Animated, has been shown in all the continents including Oceania and has picked three awards—Most Creative Project, Special Jury Prize, Africa Grand Prize—in Africa and Europe. The third production, Africa-i-Motion, was made in 2008 and is currently on the children and youth film circuit.[7]

Following the first event in 2006, Films by Children for Children, the first nine-short animation made won the Grand Prize at the 5th World Summit on Media for Children/1st Kids for Kids Africa festival, and went on to be shown in countries such as Germany, Poland, Finland, Kenya, Australia, China, Denmark, and Brazil and other African countries such as South Africa, Rwanda, Tanzania, Uganda, Democratic Republic of Congo and Senegal.[7]

Deriving its name from a Bantu language word meaning watch or see films in Kenya, the first edition of the festival was held in Nairobi between 7 and 12 August 2006. The subsequent editions ran 6–11 August 2007; 11–16 August 2008; 10–15 August 2009; 9–14 August 2010; and 8–13 August 2011; in that order. Lola Kenya Screen focuses on films by, for and with children and youth where children are given the opportunity to participate in the film selection, programme presentation, film jury, and in the making of short films.

The annual Lola Kenya Screen (also known as Lola Kenya Children's Screen) audiovisual media festival, skill-development programme and market for children and youth in eastern Africa was established by creative and cultural entrepreneur, arts and culture journalist and creative writer Ogova Ondego in October 2005.

Riverwood Academy Awards The awards started in 2014 with its Premier Gala happening on 15 March 2014 at Alliance Francais Nairobi Kenya. The event is organised by Riverwood Ensemble, a coming together of over 200 film producers from all over Kenya. The producers are self funded people making 100% homegrown Kenyan Film.

Film festivals

Seleced films


Aspiring Kenyan actors outside the Hot Sun Foundation offices in Kibera, Nairobi

In Nairobi the Hot Sun Foundation was established to help train and expose the talents of young people living in the areas of poverty and educate them in filmmaking, acting, script writing, camerawork. The foundation was responsible for producing films such as Kibera Kid.

The primary school category saw the screening of 'Words' by Elimu Academy. In the colleges and universities category the film to mention was 'Remember the Name' by the Kenya Institute of Mass Communication, 'Love Taken to a Mysterious Place' by United States International University, 'The Twist' by Mount Kenya University, 'Let's Play Pretend' by Moi University. In a bid to promote participation in this new genre in the drama and film festival, the Ministry of Education introduced genres like documentary, cinematic poetry, screen-narrative, screen-dance and adverts. In 2013 many Early Childhood institutions participated in the screen poetry category. The screen-dance was presented by Kangubiri Girls' High School, Kayole One Primary School and Nkamathi Primary School.

2013 saw what would be arguably the first Science Fiction story in Kenya. This was a film titled 'Messenger' by Rwathia Girls' High School that presented a story of an alien that steals the identity of a form one student. Other highlights in the secondary school category included 'A Rose for Salome' by Chogoria Girls' High School, 'The Red Rose' by Nyagatugu Boys' High School, 'A Letter to Auntie' by TumuTumu Girls' High School, 'Sins and Scenes' by Our Lady of Mercy Mugoiri Girls' high School, 'Black Rose' by St. Annes Secondary School Lioki, 'The Portrait' by Kangubiri Girls' High School, 'Tumours of Bitterness' by Othaya Boys' High School and 'Kosa La Mwisho' by Kajembe High School.

In 2012 the Ministry of Education introduced film production in schools, colleges and universities drama festival. This project coordinated by Dr. Simon Peter Otieno of the department of Literature, University of Nairobi saw schools, colleges and universities attempt film-making in the festival. In 2012 the films 'Conflicted Successions' by the Kenya Institute of Mass Communication, 'Time' by Elimu Academy, 'A Time to Cry' by Chogoria Girls' High School, 'Benji' by Lions Primary School, 'Flashback' by Karima Girls' high school, 'The First Drop' by Kayole One Primary School, 'A Story is Told' by Nyagatugu Boys' High School, 'Angel' by Kakamega High School, 'The Contest' by Kenya High School, 'Anne-Brittah' by Bulimbo Girls' High School, 'Dreams of Tomorrow' by OLM Mugoiri Girls' High School, 'Last Friday at Ten' by Gitwe Girls' High School and 'Pressure Points' by Menengai High School were major highlights. Being the first year of the festival the quality of productions was surprisingly high. A few of the presentations were experimental and lacked the technical quality.


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