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Grand Ole Opry

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Grand Ole Opry

Grand Ole Opry
Logo since 2005
Format: stage show and broadcast
Location: Grand Ole Opry House
Nashville, Tennessee
Broadcast outlets: 650/WSM, WSM website, Sirius-XM Radio
First broadcast: November 28, 1925
Founder: George D. Hay
Genres: country, bluegrass, others
Predecessor: WSM Barn Dance

The Grand Ole Opry is a weekly WSM, and currently owned and operated by Ryman Hospitality Properties, Inc., it is also among the longest-running radio broadcasts in history.[1][2] Dedicated to honoring country music and its history, the Opry showcases a mix of legends and contemporary chart-toppers performing country, bluegrass, folk, gospel, and comedic performances and skits.[3] Considered an American icon, it attracts hundreds of thousands of visitors from around the world and millions of radio and Internet listeners.

The Opry's current primary slogan is "The Show that Made Country Music Famous".[4] Other slogans include "Home of American Music" and "Country’s Most Famous Stage".[3]

In the 1930s, the show began hiring professionals and expanded to four hours; and WSM, broadcasting by then with 50,000 watts, made the program a Saturday night musical tradition in nearly 30 states.[5] In 1939, it debuted nationally on NBC Radio. The Opry moved to a permanent home, the Ryman Auditorium, in 1943. As it developed in importance, so did the city of Nashville, which became America's "country music capital".[6] The Grand Ole Opry holds such significance in Nashville that its name is included on the city/county line signs on all major roadways. The signs read "Music City | Metropolitan Nashville Davidson County | Home of the Grand Ole Opry".

Membership in the Opry remains one of country music's crowning achievements.[7] Such country music legends as Hank Williams, Patsy Cline, Marty Robbins, Roy Acuff, the Carter family, Bill Monroe, Ernest Tubb, Kitty Wells and Minnie Pearl became regulars on the Opry's stage (although Williams was dismissed in 1952 due to frequent drunkenness). In recent decades, the Opry has hosted such contemporary country stars as Dolly Parton, Garth Brooks, Reba McEntire, Josh Turner, Carrie Underwood, Brad Paisley, Rascal Flatts, Dierks Bentley, Blake Shelton and the Dixie Chicks. Since 1974, the show has been broadcast from the Grand Ole Opry House east of downtown Nashville and performances have been sporadically televised in addition to the radio programs.



Decorative brickwork at Opryland Hotel depicting Ryman Auditorium with Minnie Pearl and Roy Acuff

The Grand Ole Opry started as the WSM Barn Dance in the new fifth-floor radio studio of the , an enterprising pioneer from the National Barn Dance program at WLS in Chicago, who was also named the most popular radio announcer in America as a result of his radio work with both WLS and WMC in Memphis, Tennessee. Hay launched the WSM Barn Dance with 77-year-old fiddler Uncle Jimmy Thompson on November 28, 1925, which is celebrated as the birth date of the Grand Ole Opry.[8]

Some of the bands regularly on the show during its early days included Bill Monroe, the Possum Hunters (with Dr. Humphrey Bate), the Fruit Jar Drinkers, the Crook Brothers, the Binkley Brothers' Dixie Clodhoppers, Uncle Dave Macon, Sid Harkreader, Deford Bailey, Fiddlin' Arthur Smith, and the Gully Jumpers.[9]

Judge Hay, however, liked the Fruit Jar Drinkers and asked them to appear last on each show because he wanted to always close each segment with "red hot fiddle playing." They were the second band accepted on Barn Dance, with the Crook Brothers being the first. When the Opry began having square dancers on the show, the Fruit Jar Drinkers always played for them. In 1926, Uncle Dave Macon, a Tennessee banjo player who had recorded several songs and toured the vaudeville circuit, became its first real star.[9]

Signs welcoming motorists to Nashville on all major roadways include the phrase "Home Of The Grand Ole Opry"


On December 10, 1927 the phrase 'Grand Ole Opry' was first uttered on-air.[10] That night Barn Dance followed the NBC Red Network's Music Appreciation Hour, a program of classical music and selections from Grand Opera presented by classical conductor Walter Damrosch. That night, Damrosch remarked that “there is no place in the classics for realism,” In response, Opry presenter George Hay said:

"Friends, the program which just came to a close was devoted to the classics. Doctor Damrosch told us that there is no place in the classics for realism. However, from here on out for the next three hours, we will present nothing but realism. It will be down to earth for the 'earthy'."

Hay then introduced DeFord Bailey, the man he had dubbed the "Harmonica Wizard", saying:

"For the past hour, we have been listening to music taken largely from Grand Opera. From now on, we will present the 'Grand Ole Opry'."

Bailey then stepped up to the mic to play "The Pan American Blues", his song inspired by the Pan American, an L&N Railroad express/passenger train.[10][11]

Larger venues

As audiences for the live show increased, National Life & Accident Insurance's radio venue became too small to accommodate the hordes of fans. They built a larger studio, but it was still not large enough. After several months with no audiences, National Life decided to allow the show to move outside its home offices. In October 1934, the Opry moved into then-suburban Hillsboro Theatre (now the Belcourt); and then on June 13, 1936, to the Dixie Tabernacle in East Nashville. The Opry then moved to the War Memorial Auditorium, a downtown venue adjacent to the State Capitol. A 25-cent admission was charged to try to curb the large crowds, but to no avail. On June 5, 1943, the Opry moved to the Ryman Auditorium.
Roy Acuff
Ryman Auditorium, the "Mother Church of Country Music"

Top-charting country music acts performed during the Ryman years, including Roy Acuff, called the King of Country Music, Hank Williams, Webb Pierce, Faron Young, Martha Carson, Lefty Frizzell, and many others.

One hour of the Opry was nationally-broadcast by the NBC Red Network from 1939 to 1956; for much of its run, it aired one hour after the program that had inspired it, National Barn Dance. The NBC segment, originally known by the name of its sponsor, The Prince Albert Show, was first hosted by Acuff, who was succeeded by Red Foley from 1946 to 1954. From October 15, 1955 to September 1956, ABC-TV aired a live, hour-long television version once a month on Saturday nights (sponsored by Ralston-Purina), pre-empting one hour of the then-90-minute Ozark Jubilee. From 1955–57, Al Gannaway owned and produced both The Country Show and Stars of the Grand Ole Opry, filmed programs syndicated by Flamingo Films.[12]

On October 2, 1954, a teenage Elvis Presley made his only Opry performance. Although the audience reacted politely to his revolutionary brand of rockabilly music, after the show he was told by Opry manager Jim Denny that he ought to return to Memphis to resume his truck-driving career, prompting him to swear never to return. In an era when the Grand Ole Opry represented solely country music, audiences did not accept Presley on the Opry because of his infusion of rhythm and blues as well as his infamous body gyrations, which many viewed as vulgar. In the 1990s, Garth Brooks was made a member of the Opry and was credited with selling more records than any other singer since Presley. Brooks commented that one of the best parts of playing on the Opry was that he appeared on the same stage as Presley.


In the 1960s, as the hippie counterculture movement spread, the Opry maintained a strait-laced, conservative image with "longhairs" not being featured on the show. The Byrds were a notable exception. Country-rock pioneer Gram Parsons, who at that time was a member of The Byrds, was in Nashville to work on the band's country-rock album, Sweetheart of the Rodeo.[13] The band's record label, Columbia Records, had arranged for The Byrds to be allowed to perform at the Ryman on March 15, 1968, a prospect that thrilled Parsons.[13] However, when the band took the stage the audience's response was immediately hostile, resulting in derisive heckling, booing and mocking calls of "tweet, tweet."[14] The Byrds further outraged the Opry establishment by breaking with accepted protocol when they performed Parsons' song "Hickory Wind" instead of the Merle Haggard song "Life in Prison", as had been announced by Tompall Glaser.[13]
Grand Ole Opry House

Grand Ole Opry House

The Ryman Auditorium was home to the Opry until 1974. By the late-1960s, National Life & Accident desired a new, larger and more modern home for the long-running radio show. Ryman Auditorium was already 51 years old at the time the Opry moved there, was beginning to suffer from disrepair as the downtown neighborhood around it was falling victim to increasing urban decay. Despite these shortcomings, the show's popularity was increasing and its weekly crowds were outgrowing the 3,000-seat venue. The Opry's operators were seeking to build a new air-conditioned theatre with a greater capacity and ample parking in a then-rural area of town, providing visitors a more controlled, safer, and more enjoyable experience.[15]

National Life & Accident settled on a tract of land (Rudy's Farm) owned by a local sausage manufacturer in the Pennington Bend area of Nashville, nine miles east of downtown. The new Opry venue was to be the centerpiece of a grand entertainment complex at that location, which would later come to include Opryland USA Theme Park and Opryland Hotel.

The theme park opened to the public on June 30, 1972,[16] well ahead of the 4,000-seat Opry House, which debuted nearly two years later, on March 16, 1974.

Opening night, March 16, was attended by sitting U.S. President Richard Nixon, who played a few songs on the piano.[17] To carry on the tradition of the show's run at the Ryman, a six-foot circle of oak was cut from the corner of the Ryman's stage and inlaid into center stage at the new venue.[18] The artists on stage usually stand on the circle as they perform.

When the theme park was closed in 1997 and replaced by the Opry Mills mall in 2000, the Grand Ole Opry House itself was left intact and incorporated into the new facility.

Currently, the Grand Ole Opry plays several times a week between the months of March and October at the Grand Ole Opry House. The show returns to the Ryman (which was renovated in 1994) each year between November and February. This allows the Ryman to remain in regular use during a season with fewer concerts, reduces capacity for the Opry during an off-peak tourism season, and also accommodates the Radio City Christmas Spectacular's annual five-week run at the Grand Ole Opry House.

2010 flooding

In May 2010, the Opry House was flooded, along with much of Nashville, due to the [20]


Dolly Parton at the Opry in 2005

The Grand Ole Opry is broadcast live on WSM-AM at 7 p.m. CT on Saturday nights, shortened from a previous time start of 6:30. A similar program, the Friday Night Opry, airs live on Friday nights. From March through December, the Tuesday Night Opry is also aired live.[21]

The Opry can also be heard live on Willie's Roadhouse on channel 59 on Sirius XM Satellite Radio. A condensed radio program, America's Opry Weekend, is syndicated to stations around the United States. The program is also streamed on WSM's website.[21]

ABC broadcast the Grand Old Opry as a monthly series from 1955–56. PBS televised annual live performances from 1978 to 1981.[22] In 1985, The Nashville Network began airing an edited half-hour version of the program as Grand Ole Opry Live; the show moved to Country Music Television (expanding to an hour in the process), and then to the Great American Country (GAC) cable network[23] with its Opry Live show currently on hiatus.[24]


See Category:Grand Ole Opry members
Little Jimmy Dickens, at the time the second-oldest living Opry member, now the oldest, at Opry House in 2004. The circle of wood is from the Ryman Auditorium's stage.

Being made a member of the Grand Ole Opry, country music's big house, the oldest, most enduring "hall of fame", is to be identified as a member of the elite of country music. In many ways, the artists and repertoire of the Opry defined American country music. Hundreds of performers have entertained as cast members through the years, including new stars, superstars and legends.

Opry membership is not only earned, but must be maintained throughout the artist's career. After artists die, they are no longer considered standing members of the Grand Ole Opry.


In April 1963 Opry management came out with a rule that members had to perform on at least 26 shows a year to keep their membership active.[25] WSM dropped the number of required performances to 20 in January 1964;[25] in 2000 the minimum number of Opry performances was at 12.[26] The minimum number of performances has lessened over the years, but artists offered membership are expected to show a dedication to the Opry with frequent attendance.[26]

Another controversy that raged for years was over allowable instrumentation, especially the use of drums and electrically amplified instruments. Some purists were appalled at the prospect; traditionally a string bass provided the rhythm component in country music and percussion instruments were seldom used. Electric amplification, then new, was regarded as the province of popular music and jazz in 1940s. Though the Opry allowed electric guitars and steel guitars by World War II, the no-drums/horns restrictions continued. They caused a conflict when Bob Wills[27] and Pee Wee King[28] defied the show's ban on drums. The restrictions chafed many artists, such as Waylon Jennings, who were popular with the newer and younger fans. These restrictions were largely eliminated over time, alienating many older and traditionalist fans, but probably saving the Opry long-term as a viable ongoing enterprise.


June Carter Cash at the Opry in 1999

The company has enforced its trademark on the names "Grand Ole Opry" and "Opry," for which it owns trademark registrations in the United States and in numerous countries around the world. It has taken court action to limit use to members of the Opry and products associated with or licensed by it.[29] In late 1968, for instance, WSM sued Opry Records, a record label that was independent of WSM,[30] and the court stated that “the record is replete with newspaper and magazine articles and clippings which demonstrate conclusively that the term ‘Opry,’ standing alone as defendant has used it, is constantly used in country and western music circles in referring to plaintiff’s ‘Grand Ole Opry.’”[31] The court also stated “the defendant has appropriated, at its peril, the dominant or salient term in the plaintiff’s mark, a term which identified the ‘Grand Ole Opry’ in the mind of the public many years before the inception of ‘Opry Records’ – the name adopted by defendant.”[32] In another case, the Trademark Trial and Appeal Board granted summary judgment that the term ‘Opry’ is a generic term but the Federal Circuit court reversed this decision.[33] As recently as 2009, the Trademark Trial and Appeal Board granted judgment against Texas Opry House, LLC, which had filed a trademark application for TEXAS OPRY HOUSE.[34]

In 2004, it was announced that the Grand Ole Opry had contracted for the first time with a "presenting sponsor", Cracker Barrel, and the sponsoring company's name would be associated with Grand Ole Opry in all its advertising.[35] Humana, Inc., Cracker Barrel, and Dollar General are the present sponsors of the Opry.[36]


See also


  1. ^ "Radio – Long Players". Guinness World Records. Retrieved 2010-04-04. 
  2. ^ "NRK article - Barnetimen er gammaldags (The 'Childrens-hour' is old-fashioned) (norwegian)". Norsk RiksKringkasting. Retrieved 2010-08-27. 
  3. ^ a b "About The Opry". Grand Ole Opry. Gaylord Entertainment. Retrieved 2010-01-26. 
  4. ^ "Grand Ole Opry". Gaylord Opryland. Gaylord Hotels. Retrieved 2010-01-26. 
  5. ^ "Music/Grand Ole Opry". The Radio Hall of Fame. Retrieved 2010-01-26. 
  6. ^ "Grand Ole Opry". The Columbia Electronic Encyclopedia, 6th ed. Columbia University Press. 
  7. ^ "Country Music History". Country Music Hall of Fame and Museum. Country Music Foundation, Inc. Retrieved 2010-01-28. 
  8. ^ "History of the Opry". Grand Ole Opry. Retrieved August 8, 2012. 
  9. ^ a b Tassin, Myron (1975), Fifty Years at the Grand Ole Opry (1st ed.), Pelican Publishing,  
  10. ^ a b "Deford Bailey". Country Music Hall of Fame. Retrieved July 21, 2011. 
  11. ^ "Lost and Found Sound: The Pan American Blues". NPR. November 20, 2000. Retrieved July 21, 2011. 
  12. ^ "ABC-TV to Air 'Ole Opry' Live Once Monthly" (October 8, 1955), The Billboard, p. 1
  13. ^ a b c Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited. Rogan House.  
  14. ^ Fricke, David. (2003). Sweetheart of the Rodeo: Legacy Edition (2003 CD liner notes). 
  15. ^ The Grand Ole Opry: The Making of an American Icon - Colin Escott - Google Boeken. Retrieved 2012-08-09. 
  16. ^ "Theme Park Timelines". Retrieved 2012-08-09. 
  17. ^ Hurst, Jack Nashville's Grand Ole Opry (New York: H.N. Abrams, 1975)
  18. ^ Smith, Loran (January 24, 2013). "A visit to the Grand Ole Opry brings precious memories". The News-Reporter. Retrieved 29 November 2014. 
  19. ^ "Home | Grand Ole Opry". Retrieved 2014-02-05. 
  20. ^ [1]
  21. ^ a b "Tune In". Grand Ole Opry. Retrieved December 9, 2012. 
  22. ^ Fay, Byron. "First Televised Opry Show on PBS-March 4, 1978". FayFare's Opry Blog. Retrieved December 9, 2012. 
  23. ^ "History of the Opry". Grand Ole Opry. Retrieved December 9, 2012. 
  24. ^ "GAC's Presents Opry Live". GAC (Great American Country). Retrieved December 9, 2012. 
  25. ^ a b "Four Dropped From 'Opry' To Return on Christmas". Billboard: 50. November 27, 1965. 
  26. ^ a b Morris, Edward (April 20, 2000). "Grand Ole Opry Looking Toward Building Its Audience". CMT/CMT News. Retrieved December 9, 2012. 
  27. ^ Kienzle, Richard. (2003). Southwest shuffle: pioneers of honky-tonk, Western swing, and country jazz. New York: Routledge. pp. 254-257.
  28. ^ Hall, Wade. (1998). "Pee Wee King". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 283–4.
  29. ^ "WSM Back in Court Again - Files 2d Suit Over Name". Billboard 81 (21): 51. May 24, 1969. 
  30. ^ "Opry Records Sued For Infringement". Billboard 80 (50): 29. December 14, 1968. Retrieved December 9, 2012. 
  31. ^ WSM v. Bailey, United States District Court for the Middle District of Tennessee. 297 F. Supp. 870 (M.D. Tenn. 1969), at 872-3. 
  32. ^ WSM v. Bailey, 297 F. Supp. 870 (M.D. Tenn. 1969), at 873. 
  33. ^ Opryland USA, Inc. v. The Great American Music Show, Inc., 970 F.2d 847 (Fed. Cir. 1992). 
  34. ^ US Trademark Trial and Appeal Board, opposition number 91188534. 
  35. ^ Lovel, Jim (December 20, 2004). "Cracker Barrel Reloads Marketing Arsenal". AdWeek. Retrieved December 9, 2012. 
  36. ^ "Sponsors". Grand Ole Opry. Retrieved December 9, 2012. 


  • Hay, George D. A Story of the Grand Ole Opry. 1945.
  • Kingsbury, Paul (1998). "Grand Ole Opry". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 208–9.
  • Wolfe, Charles K. A Good-Natured Riot: The Birth of the Grand Ole Opry. Nashville: Country Music Foundation Press, 1999. ISBN 0-8265-1331-X.

External links

  • Official website
  • The Ryman Auditorium
  • Outlaws Old Time Radio
  • Grand Ole Opry on TV Internet Archive Complete April 28, 1956 show in black & white (video a bit fuzzy, sound very good) Includes commercial for pig feed featuring live pigs. Several user reviews included on the page give information about the episode.
  • Library of Congress Local Legacies Project: Grand Ole Opry
  • Grand Ole Opry archive page Select from shows as old as two years ago to the very recent. Best listened to with external speakers as volume is quite low.
  • American Radio Works history of the Opry
  • Slide show of The Ryman Auditorium, including recent performances, 162 pages. trip
  • Good Ole Days of the Grand Ole Opry - slideshow by Life magazine (archived link). A popup that will not go away currently (November 16, 2013) obstructs the view making it worthless.

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