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Harem (household)

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Harem (household)

Not to be confused with Haram.
For other uses, see Harem (disambiguation).

Harem (pronounced [haˈɾem], Turkish, from Arabic: حرمḥaram "forbidden place; sacrosanct, sanctum", related to حريم ḥarīm, "a sacred inviolable place; female members of the family" and حرام ḥarām, "forbidden; sacred") refers to the sphere of women in what is usually a polygynous household and their enclosed quarters which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire. For the South Asian equivalent, see purdah and zenana.


The word has been recorded in the English language since 1634, via Turkish harem, from Arabic ḥaram "forbidden because sacred/important", originally implying "women's quarters", literally "something forbidden or kept safe", from the root of ḥarama "to be forbidden; to exclude". The triliteral Ḥ-R-M is common to Arabic words denoting forbidden. The word is a cognate of Hebrew ḥerem, rendered in Greek as haremi (ha-re-mi) when it applies to excommunication pronounced by the Jewish Sanhedrin court; all these words mean that an object is "sacred" or "accursed".

Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is ḥarām "forbidden". A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations, but also their young offsprings, other female relatives, etc. The Arabic word حرمة ḥurmah, plural حريم ḥarīm, was traditionally a term for a woman of the speaker's family, regardless of status. It may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlık. The zenana was a comparable institution.

It is being more commonly acknowledged today that the purpose of harems during the Ottoman Empire was for the royal upbringing of the future wives of noble and royal men. These women would be educated so that they were able to appear in public as a royal wife.[1]


Due to the secluded nature of the Harem, there are virtually no reliable accounts of life in any of them at any time, and most accounts in literature are conjectural.


The word harem is strictly applicable to Muslim households only, but the system was common, more or less, to most ancient Oriental communities, especially where polygamy was permitted.[2]

The Imperial Harem of the Ottoman sultan, which was also called seraglio in the West, typically housed several dozen women, including wives. It also housed the Sultan's mother, daughters and other female relatives, as well as eunuchs and slave servant girls to serve the aforementioned women. During the later periods, the sons of the Sultan also lived in the Harem until they were 16 years old, when it was considered appropriate for them to appear in the public and administrative areas of the palace. The Topkapı Harem was, in some senses, merely the private living quarters of the Sultan and his family, within the palace complex. Some women of Ottoman harem, especially wives, mothers and sisters of sultans played very important political roles in Ottoman history, and in times it was said that the empire was ruled from harem. Hürrem Sultan (wife of Suleiman the Magnificent, mother of Selim II) and Kösem Sultan (mother of Murad IV) were the two most powerful women in Ottoman history.

In the Ottoman period prior to Atatürk's Reforms, "harem", more properly (Turk.) haremlik, meant simply the private or family area of a typical upper-class household, as opposed to the public or reception rooms known as the selamlik.[3]

Moulay Ismail, Alaouite sultan of Morocco from 1672 to 1727, is said to have fathered a total of 525 sons and 342 daughters by 1703 and achieved a 700th son in 1721.[4] He had over 500 concubines.[5]

Outside Islamic culture

Ancient Egyptian pharaohs are said to have made a "constant demand" of provincial governors for more beautiful servant girls.

Ashoka, the great emperor of the Mauryan Dynasty in India, kept a harem of around 500 women. Once when a few of the women insulted him, he had all of them burnt to death.[6]

In Mexico, Aztec ruler Montezuma II, who met Cortes, kept 4,000 concubines; every member of the Aztec nobility was supposed to have had as many consorts as he could afford.[7]

Harem is also the usual English translation of the Chinese language term hougong (hou-kung; Chinese: 後宮; literally "the palace(s) behind"). Hougong refers to the large palaces for the Chinese emperor's consorts, concubines, female attendants and eunuchs. The women who lived in an emperor's hougong sometimes numbered in the thousands. In 1421, Yongle Emperor ordered 2,800 concubines, servant girls and eunuchs who guarded them to a slow slicing death as the Emperor tried to suppress a sex scandal which threatened to humiliate him.[8]

A similar institution existed among the Ōoku during the Edo period in Japan.

Various African royal and noble lineages also have long traditions of polygyny, and during the period of the colonization of Africa, the wives and concubines of the native chieftains were often collectively referred to as their harems by colonial officials. Although the ritually superior great wives in these cases - consorts in the traditionally Western sense who were often the earliest of them to have been married - were usually vested with powers that made them distinct when compared to their fellow spouses, they were often considered by the colonialists to be members of the harems as well. In modern African polygynous cases, as in that of the royal family of the King of Swaziland, the word is generally avoided due to socio-linguistic political correctness, although it would still be technically correct to refer to a group of women married to a single tribal chief in this manner.

Depictions in contemporaneous Western culture

The institution of the harem exerted a certain fascination on the European imagination, especially during the Age of Romanticism, and was a central trope of Orientalism in the arts, due in part to the writings of the adventurer Richard Francis Burton. Many Westerners falsely imagined a harem as a brothel consisting of many sensual young women lying around pools with oiled bodies, with the sole purpose of pleasing the powerful man to whom they had given themselves. Much of this is recorded in art from that period, usually portraying groups of attractive women lounging nude by spas and pools.

A centuries-old theme in Western culture is the depiction of European women forcibly taken into Oriental harems – evident for example in the Mozart opera Die Entführung aus dem Serail ("The Abduction from the Seraglio") concerning the attempt of the hero Belmonte to rescue his beloved Konstanze from the seraglio/harem of the Pasha Selim; or in Voltaire's Candide, in chapter 12 of which the old woman relates her experiences of being sold into harems across the Ottoman Empire.

Much of Verdi's opera Il corsaro takes place in the harem of the Pasha Seid - where Gulnara, the Pasha's favorite, chafes at life in the harem, and longs for freedom and true love. Eventually she falls in love with the dashing invading corsair Corrado, kills the Pasha and escapes with the corsair - only to discover that he loves another woman.

The Lustful Turk, a well-known British erotic novel, was also based on the theme of Western women forced into sexual slavery in the harem of the Dey of Algiers, while in A Night in a Moorish Harem, a Western man is invited into a harem and enjoys forbidden sex with nine concubines. In both works, the theme of "West vs. Orient" is clearly interweaved with the sexual themes.

In popular culture

The same theme was and still is repeated in numerous historical novels and thrillers. For example, Angélique and the Sultan, part of the bestselling French Angélique series by Sergeanne Golon, in which a 17th-century French noblewoman is captured by pirates, sold into the harem of the King of Morocco, stabs the King when he tries to have sex with her and stages a daring escape.

In Leonid Solovyov's well-known Russian novel Tale of Hodja Nasreddin (translated to English as The Beggar in the Harem: Impudent Adventures in Old Bukhara), a central plot element is the protagonist's efforts to rescue his beloved from the Harem of the Emir of Bukhara – an element not present in the original tales of the Middle Eastern folk hero Nasreddin, on which the novel was loosely based.

H. Beam Piper used the theme in a science fiction context, portraying a gang which kidnaps girls from a Western-dominated, technologically advanced timeline and sells them to a Sultan's harem in an Asian-dominated timeline.[9]

In the Soviet movie White Sun of the Desert the main character is a Red Army soldier protecting women from an abandoned harem, while also inciting them to live a Soviet lifestyle.

Much of the plot of The Janissary Tree – a 2006 historical crime novel by Jason Goodwin, set in Istanbul in 1836 [10] – takes place in the Sultan's harem, with the main protagonist being the eunuch detective Yashim. The book in many ways aims to overturn the above stereotypes and rooted conventions. For example, in one scene the Sultan groans inwardly when a new concubine is brought to his bed, since he does not feel sexual at all and would much rather send her away and curl up with a book. He does not, however, have that option; were he to reject the concubine, "she would spend the whole night crying bitterly, by the morning the whole palace will hear that the Sultan has become impotent, by noon all Istanbul will know it, and within a week the rumour will reach the entire empire."


See also



  • Mohammed Webb. The Influence of Islam on Social Conditions Paper, World Parliament of Religions, Chicago, 1893.
  • Historical web site.
  • Leslie P. Peirce. The Imperial Harem: Women and Sovereignty in the Ottoman Empire, new ed. Oxford University Press USA, 1993. ISBN 0-19-508677-5
  • Suraiya Faroqhi. Subjects of the Sultan: Culture and Daily Life in the Ottoman Empire. I. B. Tauris, 2005. ISBN 1-85043-760-2
  • Billie Melman. Women's Orients: English Women and the Middle East, 1718-1918. University of Michigan Press, 1992. ISBN 0-472-10332-6
  • Alan Duben, Cem Behar, Richard Smith (Series Editor), Jan De Vries (Series Editor), Paul Johnson (Series Editor), Keith Wrightson (Series Editor). Istanbul Households: Marriage, Family and Fertility, 1880-1940, new ed. Cambridge University Press, 2002. ISBN 0-521-52303-6
  • Emmanuel Todd. The Explanation of Ideology: Family Structures and Social Systems. B. Blackwell, 1985. ISBN 0-631-13724-6
  • Oleg Grabar. The Formation of Islamic Art, rev. & enlarged ed. Yale University Press, 1987. ISBN 0-300-04046-6
  • Reina Lewis. Rethinking Orientalism: Women, Travel, And The Ottoman Harem. Rutgers University Press, 2004 ISBN 0813535433, 9780813535432

Further reading


  • Hans Wehr. A Dictionary of Modern Written Arabic: (Arabic-English), 4th ed. Spoken Language Services, 1994, s.v. حرم.
  • Etymology OnLine
  • N. M. Penzer. The Harēm : Inside the Grand Seraglio of the Turkish Sultans. Dover Publications, 2005. ISBN 0-486-44004-4
  • Alev Lytle Croutier. Harem: The World Behind the Veil, reprint ed. Abbeville Publishing Group (Abbeville Press, Inc.), 1998. ISBN 1-55859-159-1
  • Inside the Seraglio: Private Lives of the Sultans in Istanbul: The Sultan's Harem, new ed. Penguin (Non-Classics), 2001. ISBN 0-14-027056-6
  • M. Saalih. Harem Girl : A Harem Girl’s Journal reprint ed. Delta, 2002. ISBN 0-595-31300-0
  • Fatima Mernissi. Beyond the Veil: Male-Female Dynamics in a Modern Muslim Society, reprint ed. Delta, 2002. ISBN 0-253-20423-2
  • Fatima Mernissi. Dreams of Trespass: Tales of a Harem Girlhood Perseus 1994
  • N. M. Penzer. The Harēm: An Account of the Institution as it Existed in the Palace of the Turkish Sultans with a History of the Grand Seraglio from its Foundation to Modern Yimes. Dorset Press, 1993. ISBN 1-56619-255-2
  • Andrew Rippin. Muslims (Library of Religious Beliefs and Practices), 2nd ed. Routledge, 2000. ISBN 0-415-21782-2
  • Malise Ruthven. Islam: A Very Short Introduction, new ed. Oxford University Press USA, 2000. ISBN 0-19-285389-9
  • "Royal French Women in the Ottoman Sultans' Harem: The Political Uses of Fabricated Accounts from the Sixteenth to the Twenty-first Century"
  • Kaziev, Shapi East harem Everyday life of East harem. "Molodaya Gvardiy" publishers. Moscow, 2006. ISBN 5-235-02853-8


External links

  • Harem in the Ottoman Empire (English)
  • Ottoman Harem
  • Some paintings of harems
  • Popular culture depictions of harems
  • Harem Novel From Aslı Sancar
  • Template:Cite AmCyc
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