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RaRa

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RaRa

Music of Haiti
General topics
Related articles
Genres
Media and performance
Music awards Haitian Music Award
Music festivals
Nationalistic and patriotic songs
National anthem La Dessalinienne
Regional music

Rara is a form of festival music that originated in Haïti, that is used for street processions, typically during Easter Week. The music centers on a set of cylindrical bamboo trumpets called vaksen (which may also be made of metal pipes), but also features drums, maracas, güiras or güiros (a percussion instrument), and metal bells, as well as sometimes also cylindrical metal trumpets which are made from recycled metal, often coffee cans. The vaksen-s perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them. In the modern day, standard trumpets and saxophones may also be used. The genre though predominantly Afro-based has some Taino Amerindian elements to it such as the use of güiros and maracas.

The songs are always performed in Haitian Kreyòl and typically celebrate the African ancestry of the Afro-Haitian masses. Vodou is often implemented through the procession. The genre was imported to the Dominican Republic and is now an integral part of the Afro-Dominican music scene, where it is known colloquially as gagá.[1] In the Dominican Republic, the music is often played by the Afro-Dominican population as a cultural tribute to their African ancestors in the same manner as their counterparts in Haiti. Rara in Haiti is often used for political purposes, with candidates commissioning songs praising them and their campaigns. Rara lyrics also often address difficult issues, such as political oppression or poverty. Consequently, rara groups and other musicians have been banned from performing and even forced into exile—most notably, folk singer Manno Charlemagne who later returned to Haïti and was elected mayor of Port-au-Prince in the 1990s.

Rara performances are often performed while marching, and are often accompanied by twirlers employing metal batons. Performances generally begin on Ash Wednesday and culminate at Easter Weekend.

"The Rara festival most likely developed during the period of colonial slavery, when enslaved Africans and Afro-Creoles in the colony of Saint-Domingue were said to parade with drums and instruments on Easter Sunday. There is also some evidence that troupes of maroons marched with drummers, horns, and singers, similarly to Rara."[2]

Since the 1990s, Haitian Americans have been performing Rara in New York City's Prospect Park in the summer on Sundays. [3]

References

  • McAlister, Elizabeth. Rara! Vodou, Power, and Performance in Haiti and its Diaspora. Berkeley: University of California Press, 2002. Book on Rara in Haiti and New York City.

Citations

  1. ^
  2. ^ Encyclopedia of Popular Music of the World, Forthcoming
  3. ^ Learning website on Rara

See also

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