World Library  
Flag as Inappropriate
Email this Article

Samhitapatha

Article Id: WHEBN0004772842
Reproduction Date:

Title: Samhitapatha  
Author: World Heritage Encyclopedia
Language: English
Subject: Hinduism, Bengali Brahmins, Homa (ritual), Samagana
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Samhitapatha

An article related to
Hinduism
Om.svg
  • Hinduism portal

The oral tradition of the Vedas (Śrauta) consists of several pathas, "recitations" or ways of chanting the Vedic mantras. Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts (samhitas) as preserved dating to roughly the time of Homer (early Iron Age).[1]

UNESCO proclaimed the tradition of Vedic chant a Masterpiece of the Oral and Intangible Heritage of Humanity on November 7, 2003. Wayne Howard noted in the preface of his book, Veda Recitation in Varanasi, "The four Vedas (Rig, Yajur, Sama and Atharva) are not 'books' in the usual sense, though within the past hundred years each veda has appeared in several printed editions. They are comprised rather of tonally accented verses and hypnotic, abstruse melodies whose proper realizations demand oral instead of visual transmission. They are robbed of their essence when transferred to paper, for without the human element the innumerable nuances and fine intonations – inseparable and necessary components of all four compilations – are lost completely. The ultimate authority in Vedic matters is never the printed page but rather the few members … who are today keeping the centuries-old traditions alive."[2]

Pathas

The various pathas or recitation styles are designed to allow the complete and perfect memorization of the text and its pronunciation, including the Vedic pitch accent. Eleven such ways of reciting the Vedas were designed - Samhita, Pada, Krama, Jata, Maalaa, Sikha, Rekha, Dhwaja, Danda, Rathaa, Ghana, of which Ghana is usually considered the most difficult.[3]

The students are first taught to memorize the Vedas using simpler methods like continuous recitation (samhita patha), word by word reciation (pada patha) in which compounds (sandhi) are dissolved and krama patha (words are arranged in the pattern of ab bc cd...); before teaching them the eight complex recitation styles.[4]

A pathin is a scholar who has mastered the pathas. Thus, a ghanapaathin (or ghanapaati in Telugu) has learnt the chanting of the scripture up to the advanced stage of ghana. The Ghanapatha or the "Bell" mode of chanting is so called because the words are repeated back and forth in a bell shape. The sonority natural to Vedic chanting is enhanced in Ghana. In Jatapatha, the words are braided together, so to speak, and recited back and forth.[5]

The samhita, pada and krama pathas can be described as the natural recitation styles or prakrutipathas. The remaining 8 modes of chanting are classified as complex recitation styles or Vikrutipathas as they involve reversing of the word order. The backward chanting of words does not alter the meanings in the Vedic (Sanskrit) language.[5]

Mnemonic Devices

Prodigious energy was expended by ancient Indian culture in ensuring that these texts were transmitted from generation to generation with inordinate fidelity.[1][6] Towards this end, eight complex forms of recitation or pathas were designed to aid memorization and verification of the sacred Vedas. The texts were subsequently "proof-read" by comparing the different recited versions.

Some of the forms of recitation are —

  • The jaṭā-pāṭha (literally "mesh recitation") in which every two adjacent words in the text were first recited in their original order, then repeated in the reverse order, and finally repeated again in the original order.[7] The recitation thus proceeded as:
word1word2, word2word1, word1word2; word2word3, word3word2, word2word3; ...
  • In another form of recitation, dhvaja-pāṭha[7] (literally "flag recitation") a sequence of N words were recited (and memorized) by pairing the first two and last two words and then proceeding as:
word1word2, word(N-1)wordN; word2word3, word(N-3)word(N-2); ...; word(N-1)wordN, word1word2;
  • The most complex form of recitation, ghana-pāṭha (literally "dense recitation"), according to (Filliozat 2004, p. 139), took the form:
word1word2, word2word1, word1word2word3, word3word2word1, word1word2word3; word2word3, word3word2, word2word3word4, word4word3word2, word2word3word4; ...

These extraordinary retention techniques guaranteed the most perfect canon not just in terms of unaltered word order but also in terms of sound.[8] That these methods have been effective, is testified to by the preservation of the most ancient Indian religious text, the Ṛgveda (ca. 1500 BCE).[7] Similar methods were used for memorizing mathematical texts, whose transmission remained exclusively oral until the end of the Vedic period (ca. 500 BCE).

Divine sound

The insistence on preserving pronunciation and accent as accurately as possible is related to the belief that the potency of the mantras lies in their sound when pronounced. The shakhas thus have the purpose of preserving knowledge of uttering divine sound originally cognized by the rishis.

Portions of the Vedantic literature elucidate the use of sound as a spiritual tool. They assert that the entire cosmic creation began with sound: "By His utterance came the universe." (Brihadaranyaka Upanishad 1.2.4). The Vedanta-sutras add that ultimate liberation comes from sound as well (anavrittih shabdat).

Katyayana likens speech to the supreme Brahman. He uses the Rigvedic verse — "Four are its horns, three its feet, two its heads, and seven its hands, roars loudly the threefold-bound bull, the great god enters mortals" (Rig-Veda, iv. 58, 3), to assert this claim. Katyayana explains that in the verse, the "four horns" are the four kinds of words i.e. nouns, verbs, prepositions, and particles; its "three feet" mean the three tenses, past, present and future; the "two heads" imply the eternal and temporary words, distinguished as the "manifested" and the "manifester"; its "seven hands" are the seven case affixes; "threefold bound" is enclosed in the three organs the chest, the throat, and the head; the metaphor "bull" (vrishabha) is used to imply that it gives fruit when used with knowledge; "loudly roars" signifies uttering sound, speech or language; and in "the great god enters mortals" entails that the "great god" speech, enters the mortals.[9] Thus, primal sound is often referred to as Shabda Brahman or "word as The Absolute". Maitri Upanishad states:
He who is well versed in the Word-Brahman, attains to the Supreme Brahman. (VI.22)[10]

Mantras, or sacred sounds, are used to pierce through sensual, mental and intellectual levels of existence (all lower strata of consciousness) for the purpose of purification and spiritual enlightenment. "By sound vibration one becomes liberated" (Vedanta-sutra 4.22).

See also

Notes

References

  • Howard, Wayne. Veda Recitation in Varanasi. Motilal Banarsidass. ISBN 978-81-208-0071-7.
  • Krishnananda (Swami.), S. Bhagyalakshmi. Facets of Spirituality: Dialogues and Discourses of Swami Krishnananda. Motilal Banarsidass, 1st edition (June 1, 1986). ISBN 978-81-208-0093-9
  • Ramaswami, Srivatsa. Yoga for the Three Stages of Life: Developing Your Practice As an Art Form, a Physical Therapy, and a Guiding Philosophy. Inner Traditions; 1ST edition (January 1, 2001). ISBN 978-08-928-1820-4.
  • Scharfe, Hartmut. Education in Ancient India", 2002, BRILL; ISBN 90-04-12556-6, ISBN 978-90-04-12556-8

External links

  • Vedavichara.com has audio mp3 recordings of all 4 Vedas in South Indian style chanting for around 200 hours.
  • Vedic Chanting – A perfectly formulated Oral Tradition
  • BBC Story on UN
  • Methods of Chanting
  • Weekly podcast on Vedic Chanting and Vedic 'Mythology'
  • Veda Reciting styles

Template:UNESCO Oral and Intangible music

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from Hawaii eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.