This article will be permanently flagged as inappropriate and made unaccessible to everyone. Are you certain this article is inappropriate? Excessive Violence Sexual Content Political / Social
Email Address:
Article Id: WHEBN0000489608 Reproduction Date:
The Vietnamese alphabet (Vietnamese: chữ Quốc ngữ; literally national language script) is the modern writing system for the Vietnamese language. It uses the Latin script, based on its employment in the alphabets of Romance languages,[1] in particular the Portuguese alphabet,[2] with some digraphs and the addition of nine accent marks or diacritics – four of them to create additional sounds, and the other five to indicate the tone of each word. The many diacritics, often two on the same letter, make written Vietnamese easily recognizable.[3]
Note: Naming b 'bê bò' and p 'bê phở' is to avoid confusion in some dialects or some contexts, the same for s 'xờ mạnh (nặng)' and x 'xờ nhẹ', i 'i ngắn' and y 'i dài'. Q, q is always followed by u in every word and phrase in Vietnamese, e.g. quang (light), quần (trousers), quyến rũ (to attract), etc.
The alphabet is largely derived from the Portuguese, although the usage of gh and gi were borrowed from Italian (cf. ghetto, Giuseppe), and that for c/k/qu from English (cf. cat, kitten, queen).
Realized as [k͡p] in word-final position following rounded vowels ⟨u ô o⟩.
Can be realized as [kʷ] in Southern speech through spelling pronunciation.
Can be realized as [v] in Southern speech through spelling pronunciation and in loanwords.
The correspondence between the orthography and pronunciation is somewhat complicated. In some cases, the same letter may represent several different sounds, and different letters may represent the same sound. This may be because the orthography was designed centuries ago and the spoken language has changed, or because the inventors were trying to spell the sounds of several dialects at once.
The letters y and i are mostly equivalent, and there is no concrete rule that says when to use one or the other, except in sequences like ay and uy (i.e. tay ("arm, hand") is read /tɐj/ while tai ("ear") is read /taːj/). There have been attempts since the early 20th century to standardize the orthography by replacing all the vowel uses of y with i, the latest being a decision from the Vietnamese Ministry of Education in 1984. These efforts seem to have had limited effect, in part because some people bristled at the thought of names such as Nguyễn becoming Nguiễn and Thúy (a common female name) becoming Thúi (stinky), even though the standardization does not apply to diphthongs and triphthongs and allowed exceptions to proper names. In textbooks published by Nhà Xuất bản Giáo dục ("Publishing House of Education"), y is used to represent /i/ only in Sino-Vietnamese words that are written with one letter y alone (diacritics can still be added, as in ý, ỷ), in words that start with the letter y (such as yếm, yết), and after u; therefore such forms as *lý and *kỹ are not "standard", though they are much preferred elsewhere. Most people and the popular media continue to use the spelling that they are most accustomed to.
The uses of the letters i and y to represent the phoneme /i/ can be categorized as "standard" (as used in textbooks published by Nhà Xuất bản Giáo dục) and "non-standard" as follows.
The table below matches the vowels of Hanoi Vietnamese (written in the ) and their respective orthographic symbols used in the writing system.
Notes:
The glide /w/ is written:
The diphthong /iə/ is written:
The i changes to y at the beginning of words or after an orthographic vowel:
The diphthong /uə/ is written:
The diphthong /ɨə/ is written:
Vietnamese is a tonal language, i.e., the meaning of each word depends on the "tone" (basically a specific tone and glottalization pattern) in which it is pronounced. There are six distinct tones in the standard northern dialect. In the south, there is a merging of the hỏi and ngã tones, in effect leaving five basic tones. The first one ("level tone") is not marked, and the other five are indicated by diacritics applied to the vowel part of the syllable. The tone names are chosen such that the name of each tone is spoken in the tone it identifies.
In syllables where the vowel part consists of more than one vowel (such as diphthongs and triphthongs), the placement of the tone is still a matter of debate. Generally, there are two methodologies, an "old style" and a "new style". While the "old style" emphasizes aesthetics by placing the tone mark as close as possible to the center of the word (by placing the tone mark on the last vowel if an ending consonant part exists and on the next-to-last vowel if the ending consonant doesn't exist, as in hóa, hủy), the "new style" emphasizes linguistic principles and tries to apply the tone mark on the main vowel (as in hoá, huỷ). In both styles, when one vowel already has a quality diacritic on it, the tone mark must be applied to it as well, regardless of where it appears in the syllable (thus thuế is acceptable while thúê is not). In the case of the ươ diphthong, the mark is placed on the ơ. The u in qu is considered part of the consonant. Currently, the new style is usually used in textbooks published by Nhà Xuất bản Giáo dục, while most people still prefer the old style in casual uses.
In lexical ordering, differences in letters are treated as primary, differences in tone markings as secondary, and differences in case as tertiary differences. Ordering according to primary and secondary differences proceeds syllable by syllable. According to this principle, a dictionary lists tuân thủ before tuần chay because the secondary difference in the first syllable takes precedence over the primary difference in the second.
As a result of influence from the Chinese writing system, each syllable in Vietnamese is written separately as if it were a word. In the past, syllables in multisyllabic words were concatenated with hyphens, but this practice has died out, and hyphenation is now reserved for foreign borrowings. A written syllable consists of at most three parts, in the following order from left to right:
The Vietnamese language was first written down, from the 13th century onwards, using variant Chinese characters (chữ nôm 字喃), each of them representing one word. The system was based on the script used for writing classical Chinese (chữ nho), but it was supplemented with characters developed in Vietnam (chữ thuần nôm, proper Nom characters) to represent native Vietnamese words.
As early as 1527, Portuguese Catholic missionaries in Vietnam began using Latin script to transcribe the Vietnamese language for teaching and evangelization purposes. These informal efforts led eventually to the development of the present Vietnamese alphabet, largely by the work of French Jesuit Alexandre de Rhodes, who worked in the country between 1624 and 1644. Building on previous Portuguese–Vietnamese dictionaries by Gaspar d'Amaral and fellow Jesuit Duarte da Costa, Rhodes wrote the Dictionarium Annamiticum Lusitanum et Latinum, a Vietnamese–Portuguese–Latin dictionary, which was printed in Rome in 1651, using his spelling system.[2]
In spite of this development, chữ nôm and chữ nho remained dominant until the early 20th century. The Tonkin Free School, set up by nationalists in 1907, taught alphabetic script. Primary schools in Tonkin began teaching the script in 1910, and Emperor Khải Định declared the traditional writing system abolished in 1918. By the 1930s, alphabetic script was Vietnam's dominant writing system. Despite conflicts over the meaning of Vietnamese nationalism during the Vietnam War, as both sides sought to define themselves as the true national government, neither side attempted to promote a new and separate writing system or revert to Chinese characters.
Because the period of education necessary to gain initial literacy is considerably less for the largely phonetic Latin-based script compared to the several years necessary to master the full range of Chinese characters, the adoption of the Vietnamese alphabet also facilitated widespread literacy among Vietnamese speakers—whereas a majority of Vietnamese in Vietnam could not read or write prior to the 20th century, the population is now almost universally literate.
Historian Pamela A. Pears asserted that the French, by instituting the Roman alphabet in Vietnam, cut the Vietnamese off from their traditional literature, rendering them unable to read it.[4] The current Vietnamese government has recognised this as a problem, and supported the publication of inexpensive transliterated editions of some older and more obscure Vietnamese literature.
Prior to the advent of 21st-century computer-assisted typesetting methods, the act of typesetting and printing Vietnamese had been described as a "nightmare" due to the number of accents and diacritics.[5][6][7]
Writing Sino-Vietnamese words with quốc ngữ caused some confusion about the origins of some terms, due to the large number of homophones in Chinese and Sino-Vietnamese. For example, both 明 (bright) and 冥 (dark) are read as minh, which therefore has two opposite meanings (although the meaning of "dark" is now esoteric and is used in only a few compound words). Perhaps for this reason, the Vietnamese name for Pluto is not Minh Vương Tinh (冥王星 – lit. underworld king star) as in other East Asian languages, but is Diêm Vương Tinh (閻王星), named after the Buddhist deity Yama. During the Hồ Dynasty, Vietnam was officially known as Đại Ngu (大虞 – Great Yu). Most modern Vietnamese know ngu as "stupid" (愚); consequently, some misinterpret it as "Big Idiot". In this case, "Ngu" means peace and joy. However, the homograph/homophone problem is not as serious as it may seem, because although many Sino-Vietnamese words have multiple meanings when written with quốc ngữ, usually only one has widespread usage, while the others are relegated to obscurity. Furthermore, Sino-Vietnamese words are usually not used alone, but in compound words; thus, the meaning of the compound word is preserved even if individually each has multiple meanings. Most importantly, since quốc ngữ is an exact phonemic transcription of the spoken language, its understandability is as high or higher than a normal conversation.
The universal character set Unicode has full support for the Vietnamese writing system, although it does not have a separate segment for it. The required characters that other languages use are scattered throughout the Basic Latin, Latin-1 Supplement, Latin Extended-A, and Latin Extended-B blocks; those that remain (such as the letters with more than one diacritic) are placed in the Latin Extended Additional block. An ASCII-based writing convention, Vietnamese Quoted Readable, and several byte-based encodings including TCVN3, VNI, and VISCII were widely used before Unicode became popular. Most new documents now exclusively use the Unicode format UTF-8.
Unicode allows the user to choose between precomposed characters and combining characters in inputting Vietnamese. Because, in the past some fonts implemented combining characters in a nonstandard way (see Verdana font), most people use precomposed characters when composing Vietnamese-language documents.
Most keyboards used by Vietnamese-language users do not support direct input of diacritics by default. Various free software such as Unikey that act as keyboard drivers exist. They support the most popular input methods, including Telex, VNI, VIQR and its variants.
Ę, O, I, A, Ų
Metrication, Metric system, Vietnamese alphabet, Vietnam, Chinese language
Vietnam, Austroasiatic languages, Khmer language, Vietic languages, Sino-Vietnamese vocabulary
Pinyin, Macau, Wu Chinese, Kana, Gan Chinese