This article will be permanently flagged as inappropriate and made unaccessible to everyone. Are you certain this article is inappropriate? Excessive Violence Sexual Content Political / Social
Email Address:
Article Id: WHEBN0000017989 Reproduction Date:
MM IB to LM IIIA
Lina, 400
Linear A is one of two currently undeciphered writing systems used in ancient Greece. Cretan hieroglyphic is the other. Linear A was the primary script used in palace and religious writings of the Minoan civilization. It was discovered by archaeologist Arthur Evans. It is the origin of the Linear B script, which was later used by the Mycenaean civilization.
In the 1960s, Linear B was largely deciphered and found to encode an early form of Greek. Although the two systems share many symbols, this did not lead to a subsequent decipherment of Linear A. Using the values associated with Linear B in Linear A mainly produces unintelligible words. If it uses the same or similar syllabic values as Linear B, then its underlying language appears unrelated to any known language. This has been dubbed the Minoan language.
Linear A has hundreds of signs. They are believed to represent syllabic, ideographic, and semantic values in a manner similar to Linear B. While many of those assumed to be syllabic signs are similar to ones in Linear B, approximately 80% of Linear A's logograms are unique.[7][8]
Linear A has been unearthed chiefly on Crete, but also at other sites in Greece, as well as Turkey and Israel. The extant corpus, comprising some 1427 specimens totalling 7362–7396 signs, if scaled to standard type, would fit on a single sheet of paper.[9]
According to Ilse Schoep, on Crete, the main discoveries of Linear A tablets have been at three sites:
Haghia Triadha in the Mesara with 147 tablets; Zakro/Zakros, a port town in the far east of the island with 31 tablets; and Khania/Chania, a port town in the northwest of the island with 94 tablets.[10]
Discoveries have been made at the following locations on Crete,
Prior to 1973, only one Linear A tablet was known to be found outside of Crete (on Kea).[11] Since then, other locations yielded inscriptions.
According to Finkelberg, most—if not all—inscriptions found outside of Crete were made locally. This is indicated by such factors as the composition of the material on which the inscriptions were made.[11] Also, close analysis of the inscriptions found outside of Crete indicates the use of a script that is somewhere in between Linear A and Linear B, combining the elements of both.
Linear A was a contemporary and possible child of Cretan hieroglyphs and the ancestor of Linear B. The sequence and the geographical spread of Cretan hieroglyphs, Linear A and Linear B, the three overlapping, but distinct writing systems on Bronze Age Crete and the Greek mainland can be summarized as follows:[14]
Archaeologist Arthur Evans named the script 'Linear' because its characters consisted simply of lines inscribed in clay, in contrast to the more pictographic and three-dimensional characters in Cretan hieroglyphs that were used during the same period.[20]
Several tablets inscribed in signs similar to Linear A were found in the Troad. While their status is disputed, they may be imports, as there is no evidence of Minoan presence in Troad. Classification of these signs as a unique Trojan script (proposed by contemporary Russian linguist Nikolai Kazansky) is not accepted by other linguists.
It is difficult to evaluate a given analysis of Linear A as there is little point of reference for reading its inscriptions. The simplest approach to decipherment may be to presume that the values of Linear A match more or less the values given to the deciphered Linear B script, used for Mycenean Greek.[21]
[22] In 1963, he published an article, "Les deux langues des inscriptions crétoises en linéaire A" ("The two languages of Cretan inscriptions in Linear A"), suggesting that the language of the Hagia Triada tablets was Greek but that the rest of the Linear A corpus was in Hittite-Luwian.[22]
Since the 1960s, a theory based on Linear B phonetic values suggests that Linear A language could be an Anatolian language, close to Luwian.[23] In 1997, Gareth Alun Owens published a collection of essays entitled Kritika Daidalika, which support the view that Linear A might represent an archaic relative of Luwian. Owens based this assertion on the perceived Indo-European but non-Greek roots of a small number of words he was able to read by using the known Linear B or Cypriot sound values of certain Linear A signs. He does not claim a systematic decipherment of Linear A, and remarks in the book that he intended his Luwian hypothesis to provoke discussion rather than to settle the issue.
The theory for the Luwian origin of Minoan, however, failed to gain universal support for the following reasons:
In 2001, the journal Ugarit-Forschungen, Band 32 published the article "The First Inscription in Punic — Vowel Differences in Linear A and B" by Jan Best, claiming to demonstrate how and why Linear A notates an archaic form of Phoenician.[24] This was a continuation of attempts by Cyrus Gordon in finding connections between Minoan and West Semitic languages. His methodology drew widespread criticism. While one or two terms may apparently be of Semitic origin (such as KU-RO indicating totals corresponding to Semitic kullu "all"), there is insufficient evidence to secure a connection between the language of Linear A and Semitic idioms. Contrary to most other scripts used for Semitic languages, Linear A presents many written vowels.
Another recent interpretation, based on the frequencies of the syllabic signs and on complete palaeographic comparative studies, suggests that the Minoan Linear A language belongs to the Indo-Iranian family of Indo-European languages.[25] Studies by Hubert La Marle include a presentation of the morphology of the language, avoid the complete identification of phonetic values between Linear A and B, and also avoid comparing Linear A with Cretan Hieroglyphs.[25] La Marle uses the frequency counts to identify the type of syllables written in Linear A, and takes into account the problem of loanwords in the vocabulary.[25] However, the La Marle interpretation of Linear A has been rejected by John Younger of Kansas University showing that La Marle has invented erroneous and arbitrary new transcriptions based on resemblances with many different script systems at will (as Phoenician, Hieroglyphic Egyptian, Hieroglyphic Hittite, Ethiopian, Cypro-Minoan, etc.), ignoring established evidence and internal analysis, while for some words he proposes religious meanings inventing names of gods and rites.[26][27] La Marle's rebutted in "An answer to John G. Younger's remarks on Linear A".[28]
Indo-Iranian hypothesis also has support among some other scholars. For example, in 2006, speaking at "The Cretan Literature Centre", Dr Gareth Owens said:
″..we recognise a clear relationship between Linear A and Sanskrit, the ancient language of India.″[29]
G. M. Facchetti has attempted to link Linear A to the Tyrrhenian language family comprising Etruscan, Rhaetic, and Lemnian. This family is reasoned to be a pre-Indo-European Mediterranean substratum of the 2nd millennium BC, sometimes referred to as Pre-Greek. G. M. Facchetti proposed some possible similarities between the Etruscan language and ancient Lemnian, and other Aegean languages like Minoan.[30] Michael Ventris who, along with John Chadwick, successfully deciphered Linear B, also believed in a link between Minoan and Etruscan.[31] The same perspective is supported by S. Yatsemirsky in Russia.[32]
Some researchers suggest that a few words or word elements may be recognised, without (yet) enabling any conclusion about relationship with other languages. In general, they use analogy with Linear B in order to propose phonetic values of the syllabic sounds. John Younger, in particular, thinks that place names usually appear in certain positions in the texts, and notes that the proposed phonetic values often correspond to known place names as given in Linear B texts (and sometimes to modern Greek names). For example, he proposes that three syllables, read as KE-NI-SO, might be the indigenous form of Knossos.[33] Likewise, in Linear A, MA+RU is suggested to mean wool, and to correspond both to a Linear B pictogram with this meaning, and to the classical Greek word μαλλός with the same meaning (in that case a loan word from Minoan).[7]
The Linear A alphabet (U+10600–U+1077F) was added to the Unicode Standard in June 2014 with the release of version 7.0.
Crete, Linear A, Bronze Age, Proto-writing, Jasper
Roman Empire, Athens, Philosophy, Plato, Classical Antiquity
Heraklion, Greece, Minoan civilization, Lasithi, Chania
Linguistics, Noam Chomsky, Ludwig Wittgenstein, Ferdinand de Saussure, Spanish language
Crete, Santorini, Mycenaean Greece, Greece, Bronze Age
Ugarit, Louvre, Linear A, Cypriot syllabary, Ancient Near East
Unicode, Greek alphabet, Arabic script, Syriac alphabet, Devanagari
Greece, Crete, Egypt, Bronze Age, Cyprus